Protagonists & Antagonists – Part II

Introduction In a previous post ( Protagonists & Antagonists - Part I ) I outlined the use in impro of storytelling concepts like protagonists, antagonist and sidekicks, from a theoretical point of view.  In this post I explain how I use these in an improv workshop setting. In workshopping I tend to let the players discover … Continue reading Protagonists & Antagonists – Part II

13 Essential Musical Skills for Improv Musical Directors

Introduction A couple of times every year I get asked to work with musicians who want to do Musical Direction  (MD) for improv, or I get asked to run MD workshops at festivals. Which I happily do, but it often surprises me how unrealistic the participants’ expectations are. I think the reason for this is … Continue reading 13 Essential Musical Skills for Improv Musical Directors

The Power of Monologues

Introduction I am a big fan of monologues, mainly for initiation of scenes (and by extension, stories).   But I don't see enough of them, which is a pity, because monologues can be quite powerful.  Let's see why I like monologues so much. Disclaimer: Armando’s and “Monologic” formats When I talk about use of monologues in … Continue reading The Power of Monologues

Instant Trouble vs Instant Tension

Introduction I have argued before that I am not a big fan of rules when it comes to improv. That said, in this post I would like to discuss a “rule” that is preached by some: “Steer Away from Instant Trouble”.  The same rule is sometimes referred to as "Steer away from negativity in initiations". … Continue reading Instant Trouble vs Instant Tension