Introduction In a previous post ( Protagonists & Antagonists - Part I ) I outlined the use in impro of storytelling concepts like protagonists, antagonist and sidekicks, from a theoretical point of view. In this post I explain how I use these in an improv workshop setting. In workshopping I tend to let the players discover … Continue reading Protagonists & Antagonists – Part II
Introduction Last month I posted a blog listing 13 essential music-related skills for improv Musical Directors. I made the point in that blog that those skills can be learned outside of an improv setting, and cannot be acquired during e.g. a 3 hour workshop. Besides, those skills are general music related skills that are unrelated … Continue reading 11 Non-Musical Improv Skills for MDs
Introduction A couple of times every year I get asked to work with musicians who want to do Musical Direction (MD) for improv, or I get asked to run MD workshops at festivals. Which I happily do, but it often surprises me how unrealistic the participants’ expectations are. I think the reason for this is … Continue reading 13 Essential Musical Skills for Improv Musical Directors
Introduction Here is a little model. Think of it as a storytelling model, applied to improv. It’s a bit theoretic, but it can really be applied; see the last section for how this material came about and why it is useful. While explaining the model I will use plenty of examples for scripted stories. In … Continue reading Protagonists & Antagonists – Part I
I thought that this month, I'd describe the RIOT signature format; it is called "Thirteen Things". RIOT only does musical long-form so we add a lot of singing, but the format can equally be performed without singing. I'll describe the overall format first and then describe how we use song within the format. General Format … Continue reading 13 Things – a (Musical) Long Form Format
If you are doing musical improv, how do you know or decide when to sing? In this article I discuss a couple of options. Organically Sometimes songs just happen organically. The Musical Director (MD) provides underscore to a scene and a player just feels she has to burst out in song. Magic! In my experience … Continue reading Time to Sing?